MAPPING GREATNESS: UNA MARSON
Una Maud Marson (1905 - 1965) was a pioneer of her time who contributed much to the unity of Black people, the liberation of women and colonised people, plus campaigned for many other issues. Her biographer Delia Jarrett-Macauley described her as the first “Black British feminist to speak out against racism and sexism in Britain”.
Una’s earliest theatrical works were characterised by the portrayal of a working female protagonist. This centering of Black women laid the foundation for her subsequent work addressing culture, class, and the position of women in a colonial patriarchal society.
(Image above: Article advertising Marson’s play At What a Price in the The New York Age (28th July 1934) and programmes for theatre productions of her other plays: Pocomania (Staged Kingston Jamaica in 1938) & the comedy London Calling (staged in London in 1937 as the first Black-produced play in the West End)
As a journalist, activist and creative visionary, Una Marson was instrumental in blazing a trail for women of African heritage. Her creative work and prominent professional positions empowered women in Jamaica, and later in Britain to document and celebrate their stories in full public view. From being the first Jamaican female Editor/Publisher for The Cosmopolitan, a political magazine in Jamaica, to becoming the first Black female producer at the BBC, Una’s work created spaces for conversations about the role, position and importance of Black women in modern society.
Origins
Born on the 6th of February 1905, in St. Elizabeth, Jamaica, Una’s father, Reverend Solomon Marson, was a Baptist Minister and her mother, Ada Marson, was a talented organist. Raised in a middle-class home and the last of nine children, Una won a Scholarship to attend Hampton Girls School in St. Elizabeth, Jamaica. Thereafter she left to work at Salvation Army and YMCA branches on the island.
THE BBC’S FIRST BLACK RADIO PRODUCER
During World War II, Una Marson became the first Black woman to be employed by the BBC and became their first-ever Black producer. Una was exceptionally talented and hard-working, and BBC managers described her as an "excellent producer". As a broadcaster and journalist, Una Marson produced and hosted radio shows and films like “West Indians in Britain”, raising awareness of the work that Caribbean people of all backgrounds in Britain were doing, including servicemen and women like soldiers, nurses and munitions workers to support war effort. This was especially pertinent at a time when there were many misrepresentations of Caribbean and Black people in British media and society, leading to prejudice. Her work was hugely important for the Ministry of Information as it was a government department responsible for news, censorship, publicity and propaganda during WW2.
(Image above: Una Marson and Jamaican poet Claude McKay at a BBC radio recording. McKay was a prominent figure in the Harlem Renaissance literary movement during the 1920s)
Una became a full-time Programme Assistant in March of 1941 in the “Empire Programmes” Department before becoming a producer of the programme, Calling the West Indies in 1942. Despite initially being launched by the BBC’s Empire Service to connect Britain to White expatriates in Britain’s colonies, Una Marson ironically helped it become a popular programme that connected the Caribbean and Black communities globally, fostering a sense of national and Black pride, undermining British colonial rule.
She launched a new radio series called, Caribbean Voices, to display Caribbean culture, literary work and poetry. This became an important platform for Caribbean culture, featuring over 200 Caribbean writers such as George Lamming and V. S. Naipaul. The Barbadian poet and historian, Kamau Brathwaite, who also appeared on the show, described it as "the single most important literary catalyst for Caribbean creative writing in English".
Una Marson has recently been memorialised as an integral part of BBC and British history. She first worked in the BBC’s television studios in Alexandra Palace, and later transitioned to the radio department when the BBC closed the television studios at the outbreak of WW2.
(Image - Right to left: Una Marson, Evelyn Dove & Winifred Atwell). This mural is on the South Terrace of Alexandra Palace, “the birthplace of television” where the BBC aired its first public television transmissions in 1935. The mural was produced by the acclaimed street artist Carleen De Sözer in in 2018, as part of De Sözer’s project to capture the fundamental contribution Black people made to the very inception of the BBC.
ACTIVISM: BLACK NATIONALISM & FEMINISM
She did not frame her work around a single cause but, instead, she was mindful of the multiple intersections of oppression
- Lisa Tomlinson, University of the West Indies
Pan-Africanism
Una Marson was an unwavering advocate for social justice. She was committed to the Pan-African spirit and movement in the 20th century to unite Black people in the Americas and Africa to achieve liberation, during a time when many of these nations were still British colonies.
As an advocate and ally for Pan Africanism and social justice, she offered her services to the Ethiopian minister Dr. Charles Martin and further to that offered secretarial support to His Majesty Haile Selassie I, Emperor of Ethiopia. In the summer of 1936, Una was in the delegation of Emperor Haile Selassie to the League of Nations in Geneva where he delivered his famous speech against the rise of fascism, and importance of freedom and equality which inspired Bob Marley’s hit song, War.
On arriving to Britain, Una became involved in political networks of Black activists, including high profile figures. Dr Harold Moody provided her with accommodation in London, as he had founded the League of Coloured Peoples in 1931 to organise Black collective action and resistance to discrimination. Along with other influential and middle-class Black people, they made up the UK’s delegation to the early meetings of the Pan-African Congress. She highlighted and campaigned against the racism that she and others faced within Britain such as the “colour bar”, which was a prominent theme of her own poetry after experiencing British culture.
Feminism
Una was unique in being a hugely influential female voice during her lifetime campaigning for the rights of women, becoming the first Jamaican female editor and publisher of her own magazine called, the Cosmopolitan, in 1928. Unlike other outlets, the Cosmopolitan featured articles on feminist topics, local social issues and workers’ rights as well as literature and poetry. Una wrote several plays, in which working female protagonists had central roles, and feminism featured heavily in her poetry as she explored themes like beauty, race and patriarchy.
Una also adopted an internationalist approach in campaigning for the rights of women, as she joined various feminist groups. She travelled to Turkey in 1935 where she was the only Black woman to attend the 12th Annual Congress of the International Alliance of Women for Suffrage and Equal Citizenship conference in Istanbul. She passionately campaigned for impoverished women in Jamaica, to which the organisation allocated funds to support due to Marson’s advocacy.
MENTAL HEALTH
Marson struggled with mental health issues and her negative experience of systematic and interpersonal racism whilst living in Britain contributed to the decline in her mental wellbeing. This was a recurring challenge she faced, evidenced in a report on her progress on a BBC training course which mentioned her complaints of "the prejudices which undoubtedly exist among some of the staff". After a guest speaker appearance at a three-day conference in Jerusalem, Marson was taken ill in Jerusalem and flew back to Jamaica on 10th April, 1965. She was granted a lengthy sick leave allowing her travel to Jamaica to recover, but she sadly passed away from after a heart attack in May of the same year.
In each space, Una Marson served and committed herself to the causes of her time and remains an influential figure in history.